How to vectorize your hand lettering

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  • Tut

    Creating your own handlettered phrase or word is all the rage right now but to transfer it to the computer takes a different approach. In this tutorial we’ll work on vectorizing handlettering with the pen tool, one of the most valuable tools that illustrator has to offer!

    Step_1

    Step 1

    Let’s start by making a quick sketch, it doesn’t have to be perfectly aligned and neat. Remember that while working on this design we only use the sketch as reference material, so we are able to change the curves, thickness, balance etc. later on. As a beginner it will take a bit of time to get used to the pen tool but you’ll soon notice that it’s indispensable.

    Place the reference on a separate layer, double-click the layer and tick the template checkbox to make the layer 50% transparent and lock it.
    Step_2

    Step 2

    It’s important to define the anchor points, anchor points are used to define a path whenever a path is closed a shape is created. If you’re tracing your own sketch make sure that these points are placed at the ’extremes’ of each letter that means at the top/ bottom and furthest left/right, placing them at these points will ensure the shapes to come out as ’clean’ as possible. Try to use the least amount of anchor points to make everything look smoother.

    A couple of pointers before we really start of:

    There are different ways of creating a certain shape, here below I will give you a couple of pointers to make it easier for you. If you follow these pointers there wil be a bigger chance of having a better outcome. But as with all, it takes practice to create the perfect shape.

    Step_2a

    The best option is to outline every letter or parts of it separately (if possible) because later in the process you can merge them, in this way it’s easier to adjust eventual mistakes without it having an affect on other letters.

    Step_2b

    We are mainly going to work with horizontal and vertical point handles because this will ensure the cleanest outcome, if this is a bit too complicated than it’s better to practice with the right anchor points first. It’s best to have the anchor points placed correctly than having the handles perfectly aligned.

    There are different ways of vectorizing, it depends on the typography and the shapes you would like to use, in this case we use the Pen tool but if your shapes are very rectangular and/or round you can use the Rectangle or the Elipse tool as well, in this way you’ll save yourself some time.

    Step_2c

    To use these basic shapes, use shortcut L the elipse tool, hold shift (for a perfect circle) and click and drag until you’ve got the right size. To adjust the width press SHIFT+W and click on one of the anchorpoints you would like to adjust. Click and drag to make the line thicker or thinner.

    Step_2d

    For using the rectangle tool press shortcut M, click and drag until you’ve got the desired shape. Click on the anchor points to adjust the shape if necessary. To turn an object, click and hoover above an anchor point until you see a curved arrow, and turn.

    Step_3

    Step 3

    Open a new layer and select the Pen tool by pressing shortcut P or click in the sidebar on the left on the Pen tool. Place the Pen tool on where you want to start and click and drag while holding shift to define the first anchor point. The shift key makes sure you’re working with vertical or horizontal handles. The further you stretch the handles, the bigger the curves are going to be.

    You’ll see the path you’re creating when you click on the second anchor point. To switch between letters press V for the Selection tool and press P again to select the Pen tool. If you want to delete an anchor point, press - on your keyboard or click on the pen tool in the sidebar and you’ll see a submenu popping up with 4 options, the third one is the delete anchor point tool. To adjust the handlebars separately, press A for the Direct selection tool and click on the anchor point, click and drag the handle while holding shift. But keep in mind that for now it’s important to outline the letters without trying to create the perfect shape.
    Step_4

    Step 4

    To have a better visualization of what you’re doing, we are going to give everything a fill color. For this we can use random colors (with a bit of contrast is the best), in this way we’re able see clearer what we have to touch up.

    Select the letters with the selection tool and double click in the left sidebar on Fill color on the ’empty box’ (if you click on the other box, you’re adjusting the color of the outline). You’ll see a pop-up screen with the color picker. Here you can click to select the color you would like to use and press ok.
    Step_4a

    If you prefer to have a background color press M for the Rectangle tool, click and drag until you’ve got the right size. Select the box and adjust the color of the box in the same way as with the typography. You’ll notice when you want to place the box behind the typography it will be placed on top instead. To change this: select the box, right click >arrange > send to back, now the box is placed behind your typography.

    Step_5

    Step 5

    Now it’s time to adjust the shapes so that everything is exactly like you want it to be, this might take some time just to get everything right (note that I prefer to work without a fill color and only the outline). We do this by adjusting the handlebars and making use of the shift key. Select A on your keyboard for the Direct selection tool, click on the anchor point you would like to

    adjust, hold shift and stretch the handlebar in whichever direction. Now is the time to tweak, if you want to stretch some letters or want to align etc.
    Step_6

    Step 6

    We join together the overlapping paths by using pathfinder. In this example you can see that the letter R exists out of 2 shapes, we are going to join these into one shape. Open pathfinder in window > pathfinder and the following menu tool should appear. Select the shapes you want to merge (both shapes need to have overlapping paths to merge) and click on unite (the first icon on

    the left).
    Step_7

    Step 7

    Now we’re almost finished, I chose to change the colors and add shadow to the lettering but now you’re able to do whatever you want. To create this shadow I’ve decided to copy the layer by selecting the whole object (without background) and pressing cmd+c and cmd+v to paste. Change the color of the object and go to effect > distort & transform > transform, in the upper panel.

    Tick the preview box and play around with horizontal and vertical move, in this case I used 0,5 for both and 7 copies. But it all depends on your own taste and what you prefer. Then click on the just created ’shadow typography¨and send it to the back by right click on the selected object >arrange > send back. Afterwards its just adjusting the little details and you’re finished!
    final

    If you want you could add some elements in the background, play with colors, add texture etc. the possibilities are endless. There are so many options and it’s up to you to create something you like, keep trying and exploring and you might discover some interesting outcomes.

  • About

    Creating your own handlettered phrase or word is all the rage right now but to transfer it to the computer takes a different approach. In this tutorial we’ll work on vectorizing handlettering with the pen tool, one of the most valuable tools that illustrator has to offer!

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